Edition staeck heidelberg ffnungszeiten

His satirical posters, full of wit and ridicule, critically tackle German society and politics, from Amazon to Angela Merkel. The slogan appeared on a poster produced for Greenpeace that also showed the heads of German companies who continued to produce ozone-killing CFC gases. The companies tried to sue. After a 9-year court battle, Staeck and Greenpeace were proven innocent in a victory for free speech.

The artist was again a voice of the voiceless in the fight against the powerful. Klaus Staeck in the overflowing Heidelberg office of his Edition Staeck publishing house, which soon after its founding in originally Edition Tangente sold artworks by provocateurs like Joseph Beuys.

From here, the poster artist has intervened in the political debates of the German Republic with uncompromising consistency. From his time in East Germany to the current day, Klaus Staeck has created hundreds of posters that epitomized his credo that artists should maintain a dialogue with the political debates of the day — even if their provocations sees them end up in court. His work has rightly been honored in galleries across Germany, including several showings at the international "documenta" show in Kassel.

Staeck was the editor with whom radical artist Joseph Beuys had collaborated most frequently since the late s. Both were also staunch environmentalists. They wanted to shape society and politics through artistic interventions, and together they created posters, postcards and books.

The poster artist based in Heidelberg formulated a fitting image for the slogan featuring a banana and meat sausage. Here Staeck refers to an earlier work that showed the then Chancellor Helmut Kohl riding a cannonball on the promised "blooming landscapes" of East Germany.

Instead of Kohl, the US president is now riding planet earth. Though trained as a lawyer, Klaus Staeck became a household name in Germany with his satirical political artworks created on posters, postcards and stickers.

His goal has always been to stimulate thought and political dialogue. Staeck wanted to influence political discourse with provocative slogans such as his poster reading, "German workers! Some 70, copies of the landmark poster with a bright yellow villa in the background were published. Staeck has since used his art to defend workers and women's rights, free speech, the environment and to fight against nuclear proliferation.

In he expressed his opposition to the mail-order behemoth Amazon through an image of a torn cardboard box with "never more amazon" "nie mehr amazon" printed on the side. Together, they foreground the different kinds of value with which he invested such items.

As with many of the substances he used in his art, Beuys saw food as a bearer of warm energy , the force he regarded as the basis of life and the well-spring of all creativity. Also depicted are a bottle of fruit juice and a packet of jello—foods containing sugars that spread warmth throughout the body as they metabolise.

Beuys valued the medicinal properties of many foods. While pursuing his Law studies, he learned graphic design by making posters, postcards and flyers on his own. In he founded the Edition Tangente publishing house which later came to be known as Edition Staeck, representing internationally renowned artists which have always held a position and stance in the socio-political context. Klaus Staeck started his art career by working with woodcut prints and later on moved to screen printing.

His first collaboration with Joseph Beuys was in Akbank Sanat Youtube. Seminar Artists and Curators — Can they be happy together? Moderator : Prof. Seminar klausstaeck YearsBeuys.